Out of Everywhere

A James Tiptree Jr. Critique

“Painwise” Review

“Painwise” © 1971 James Tiptree, Jr.

Appeared in Ten Thousand Light-Years from Home
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Wooo. It has been a long time since I’ve updated this blog. It’s always been in the back of my mind, though. TTLYFH sits on the top of my pile of books on my bedside table (which happens to be five books deep, not to mention the ARC I have to finish at some point and the pleasure reading book I have. …And a knitting guide I want to finish reading. The point is, I am in the middle of a lot of books.) I’ve also drifted a lot from adult science fiction. I rediscovered YA, particularly fantasy, last year and spent my time making my way through various YA series. To reboot my attempts to do reviews of all 69 of Tiptree’s short stories, her collected essays and poetry, and her two novels, I’m glad “Painwise” was next in the book.

My first thought upon reading most of these stories is,” I don’t know what to make of this, but…” Proof that most of these stories need at least a second, and perhaps a third reading. In most cases, you just will not understand what is happening until at least half way through the story. “Painwise” is definitely one of those stories that benefits from a second reading. Having been stuck in YA land for a while, it was almost annoying to get back into the thick stories and prose that Tiptree loves. However, when I finished, I put down the book, went and made cookies, and then came back and reread the story. It is still a bit thick, but it makes much more sense.

The story starts in media res, which just adds to the initial confusion. It literally jumps right into the title of the story with “He was wise in the ways of pain. He had to be, for he felt none” (118, Ten Thousand Light-Years From Home). The human man, who remains unnamed for the rest of the story, had his nerves reattached to something other than pain receptors by scientists sometime before the beginning of the story. What I gathered from rereading it was that he was then sent off to explore habitable planets in a single-man, mostly automated spacecraft, called the “scouter.” The reason he was altered to not feel pain is due to the inherent danger of his mission. The first page of the story lists several ways he has been tortured by alien races upon landing on their planets. Instead of feeling pain, he sees flashes of color. He has also been altered to be somewhat indestructible. Every time he is injured, the scouter picks him up and the boditech puts his back together. The boditech is a separate semi-organic computer that is trusted with making sure he lives and gives a report upon returning from each planet. Understandably, the fact that he can feel no pain and is on a seemingly endless journey begins to drive the man insane, which is where the story picks up.  He realizes he can get the boditech to speak to him if he claims to be injured and then starts purposefully injuring himself in really gruesome ways, especially whenever he is dropped off on a new planet. He tries to teach the boditech that he will stop injuring himself if she (yes, she) talks to him. He names her Amanda, and falls in love with her in his own twisted, Stockholm way. His main purpose is to convince her to turn the scouter back towards Earth, because he does wheedle out of her that they are overdue for the signal that should have called them home. He has no idea what he will return to, but above all else, he wants to go home. The scouter’s main computer takes over “Amanda,” and forces him to resume his mission until an alien psi-force invades the ship and destroys it, teleporting him inside their own ship, which is some kind of organic shell-pod. Inside he meets the three aliens that psychically move the ship: a golden bushbaby, a psychedelically colored butterfly creature named Ragglebomb that may or may not be one of the Dameii from the numerous Stars’ Tears stories (I will have to come back to you on that), and a black boa named Muscle. They are all three empaths, and slightly telepathic. Ragglebomb is also psychic and is the one who moves the craft though space. Their mission? To eat as many delicacies from as many worlds as possible. The problem is that while they are shielded within their ship, once they go out onto a world, they feel all the pain and suffering that is natural of any living thing. You can see why they picked up this human man who does not feel pain. As powerful empaths, he is the ultimate balm for them. They send him down onto the worlds they find to pick up delectable foods for them. So he basically is on the same kind of mission he was on as before. And once again, it starts to drive him insane. They tell him they are on course for Earth, be he eventually learns they do not know where it is, having never been there. The man falls into despair and refuses to eat, thinking he will never see Earth again, or at the very least, it will take thousands of years if he truly is undying. A passing comment the Bushbaby makes catches his attention because he thinks it could have only come from Earth. So he begs them to go back to whatever planet Bushbaby gleaned it from. He cannot get out of the pod fast enough once they land, and the moment he is on the ground, his body erupts in the strongest, most crippling sensation he has ever felt. Having never felt anything like it before, the empaths must explain that it is pain he is feeling. They are also in agony since they are still connected to him. He realizes that his pain receptors were tuned away from feeling pain at bodily harm and instead tuned to feel pain at the very environment of Earth, proof that whoever sent him on his mission ever intended for him to return. He starts to crawl back to the pod to escape the searing  pain so they can leave, and just before he climbs in, he thinks about how he can continue on forever, never feeling pain with these aliens, or he can suffer for however long he has left on his own Earth. He chooses the pain and Earth and sends them away.

Funny enough, “Pain” by Three Days Grace just came on as I was writing this. Actually, their two points dovetail here: “I’d rather feel pain than nothing at all.” While repetition can certainly drive someone insane, as pain is the main subject of the story, it is the lack of an ability to feel pain that ultimately drives the man crazy. And he would rather embrace this pain than live forever in reasonable comfort, feeling nothing. Pain has been described in many different stories as being one of those things that is a sign of being alive, and while that is not openly stated here, I believe that is the point of the story. After all, what is life without pain? How can one experience happiness without knowing suffering? It is also interesting that the lack of pain becomes its own form of torture for this man, as opposed to the more physical bodily harms he goes through at the beginning.

After rereading this story and thinking about it a bit, I decided 5 out of 5 stars. I really liked it, and it really got me thinking about what exactly pain is. I had a very emotional reaction to the end of the story, especially the second time once I knew what was happening. And the good thing is it’s available for free online here! Now go read it.

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March 10, 2013 Posted by | Books, Death, Hard Science Fiction, Review, Ten Thousand Light-Years From Home | , , , , , , , | 4 Comments

“And I Awoke and Found Me Here on the Cold Hill’s Side” Review

“And I Awoke and Found Me Here on the Cold Hill’s Side” © 1971 by James Tiptree, Jr.

First appears in Ten Thousand Light-Years from Home

Also appears in Her Smoke Rose Up Forever

While, for the most part, I really like the titles of Tiptree’s stories, they do get a bit tedious to always type out. (The only title that is possible more tedious to type out is The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, but that is neither here nor there.) Unlike the last story (which I am going to refrain from typing out) I can actually see how the title of the story pertains to the plot, which is about sex drives and aliens and society, and a whole slush of things like that.

Spoilers. So, the story starts off with a news reporter who’s managed to get himself onto a international (inter-planetal?) space station because he wants to get some shots of aliens. He meets a human man there and wants to ask him some questions, but then the man goes off on his own story about how he met his first aliens in a bar, and how humans are inexplicably attracted to the different with a desire to impregnate it, and that humans always go seeking sex from the aliens, even the ones who reproduce in completely different ways from humans. He says it has ruined him because he cannot even look at regular humans anymore, and that since most of the species are not compatible with humans, people will die trying to sleep with them. However, the story ends with the reporter not taking in any of it, and instead rushing off to the crowd he can see heading to dinner that includes aliens.

The writing style was what I found particularly interesting more so than the story itself. It almost reads like a news story, where reporters don’t tend to quote themselves, but will summarize the questions they have. This story did that a bit, since it was mostly a story around a monologue/conversation. The narration, first person, would say something like “One of the early GR casualties, I thought,” (Ten Thousand 2) and the man responds to the though, which shows the narrator clearly said it out loud, just didn’t convey that to the reader. And while the narrator never seems to truncate any of the man’s testimony, whenever he gets a chance to get his narration in, it’s always to poke fun at him or degrade him in some way. So the English major in me likes to go “Ha! Untrustworthy narrator!” As for the title, I feel it applies to the man in the story, not the narrator, which is interesting cause the story and the title are in first person, but the speaker is a different person for each. The title is the man’s realization of the situation humanity is in, which the narrator has not yet realized. The other thing I found noteworthy about this story is the mention of Stars’ Tears, and that’s only cause I’ ma huge nerd. It’s only the briefest of mentions, as it often is when the story is not actually about Stars’ Tears. It is noteworthy because the Stars’ Tears universe, as I like to call it, is Tiptree’s favorite. There are so many “future earth” stories that take place in this universe, and you always know it’s this universe because of the mention of Stars’ Tears. I like it so much because it’s the universe of my favorite story, “We Who Stole the Dream” and of Brightness Falls from the Sky. However, I am going to come back to Stars’ Tears when I talk about those stories.

Overall, 3 out of 5 stars. I liked the story most of all for the Stars’ Tears reference, but it wasn’t bad.

February 20, 2012 Posted by | Books, Hard Science Fiction, Her Smoke Rose Up forever, Review, Society, Ten Thousand Light-Years From Home | , , , , , , | Leave a comment

“I’ll Be Waiting for You when the Swimming Pool is Empty” Review

“I’ll Be Waiting for You When the Swimming Pool is Empty” copyright © 1971 by James Tiptree, Jr.

Originally published in Ten-Thousand Light Years from Home

Also published in Byte Beautiful

So, it’s been months since I’ve updated this, mostly because I thought no one was reading it, so it didn’t really give me any motivation to continue. (I also read something like ten books in those months, with the majority of those being YA books, which didn’t really put me in the mood for Hard political science fiction.) But I finally got around to reading the last story is Byte Beautiful, which, after “Excursion Fare” is a little baby of a story. I think I finished it in ten minutes. It’s one of those stories that make me wonder more about how the order of the stories was chosen for the book than the actual story itself. This book begins with “With Delicate Mad Hands,” a very long, mostly feminist, close-to-our-time story, whereas this one does not really have any feminist themes (which is rare for Tiptree) and even seems to mock it at one part, and it is set far, far in the future. It’s story about the future and evolution of society, particularly as it is influenced by an outside, advanced force.

Anyway, spoilers (but in a non River Song coy whisper way, in a literal way). The beginning doesn’t spend a lot of time describing the main character, past that he is “a nice Terran boy” (Byte 166). He comes from an “Earth” that is far advanced and has moved past the point of wars and has more of a free-love vibe. Oh yeah, you can tell this was written in the late 60’s/early 70’s. Anyway, every Terran gets to go off on a little trip of his or her own as a rite of passage kind of thing. So this boy decides to go to a very remote area of space, to a planet that is still agrarian, and warlike. He comes down in the middle of a battle and tries to talk the very vicious warlords into ending the war, which they eventually agree to because they are afraid of his advanced weapon, like the shield around his ship that can vaporize any threats it detects. He then tries to move their civilization towards industrialization and show them the fallacy of their current religious beliefs, which involve sacrificing babies and such. And since he has a much longer life-span than this planet, he is around for a couple of their generations to see the massive changes he makes, especially when he starts his own school (started with the offspring of a massive orgy he has with women sent to kill him, but that’s something else entirely). Eventually, he gets called back home and leaves them something so they can communicate with him, and a while later, they contact him and tell him they’ve fixed up the planet so that it’s all nice and not warlike anymore, and what should they do next. He tells them to build space ships and spread the knowledge around to other planets. Years later, they send a message again that they’ve done that and fixed all the planets they could find and what should they do next, but they get no response. It doesn’t say, but the assumption is that the Terran died.

I… don’t really know what to say about this story. I mean, I can sort of see where it’s going, with going in and changing a society to be like your own, in your own image, as it were. Or perhaps, it’s a bit of a reflection on religion, based on the Christian ideology. God creates the people in his image, and then continues to point them in the direction he wants (the Flood story, Moses, Jesus, etc.). And after all this direction, the people have come to rely on it, so when it suddenly disappears, the people don’t know what to do because they were not allowed to develop society on their own. But I’m just throwing out ideas. I’m not entirely sure what her meaning was with this story. Though I would love to know the thought process that went into the title. I’ve puzzled over that a bit, and I can’t come up with a good answer for how it relates to the story, except that maybe the emptiness of a pool, as a symbol of the end of summer, could be equated to the loss of direction, the end of childhood. But it’s a bit of a stretch.

Overall, 3 out of 5 stars. It’s not bad, but it’s not great either, or at least, I can’t really figure out the point to the story, so it doesn’t mean much to me.

February 15, 2012 Posted by | Books, Byte Beautiful, Death, Hard Science Fiction, Review, Society, Ten Thousand Light-Years From Home, War | , , , , , , , | 1 Comment

“The Peacefulness of Vivyan” Review

“The Peacefulness of Vivyan” copyright © 1971 by James Tiptree, Jr.

First appeared in Ten Thousand Light-Years from Home

Also appears in in Byte Beautiful

This story is… interesting. This is the type of science fiction story that throws a lot of alien terms and technology at you at the beginning, and then you have to play catch-up the rest of the story. The problem with this method in a short story, as opposed to a novel, is that there isn’t really room to play catch-up. Short stories are about being concise, not throwing around extra words, which is a bit what this story does. the good thing is that by the end, you realize the point isn’t to try and play catch-up and know what all the words mean, and how this planet differs from our own, but that it’s just about war and human atrocities. The downside to this, of course, is that the reader puts so much effort into trying to understand the beginning, and then it does not pertain to the point of the story at all.

I’ll stop being vague now. Story spoilers. Basically, the story starts by following this media man who is going to a planet that had recently been at war with Terra (the common name for Earth is sci fi) to interview the head of this “rebellion” or army or whatever you want to call them. However, the reader doesn’t know this at the beginning, or at least, I didn’t. All I understood was that this newsman was blindfolded and lead into underground alcoves of an alien planet. There, while he waits for his interviewee, he meets a man who smiles a lot and shows him a fossil before wandering off. A woman who works for the leader tells the newsman that he is Vivyan, and then the story goes into a close third to Vivyan. We learn he is very good with biology, especially marine biology, and that he can rattle of names of plants and animals, and that he always tries to stay happy and “peaceful.” Get the title yet? Anyway, as a boy, he meets a man whom he only calls “the brown man.” Later, on this new world from the beginning of the story, he meets the man again. Vivyan always talks about needing to speak with his friend at each planet he goes to. As he goes to do this, the natives of the planet (some kind of seals) take him to one of their underground caves and present him to the “brown man,” whose name we learn is Cox. He then tries to make Vivyan remember how he grew up on this mystery third planet that warred against Terra and lost. It turns out Vivyan was a prince of that planet, but had then been brainwashed by the Terrans to forget and then work for them as a spy, although he doesn’t even realize it. He just thinks of it as “telling his friend.” Some fighting happens and Vivyan escapes to talk to his friend again. After the battle is over, they find him and bring him back. Cut back to the present. Cox is the man the newsman is going to interview, and he was also a prince of this third planet, thus Vivyan’s older brother. The woman says they believe Vivyan has some kind of mental retardation, so he could be a spy without knowing what he was doing, and that made him more dangerous because he seems trustworthy. The story closes with them listening as Vivyan talks to a rock and reports all the information they had just been discussing.

So there you have it. The peacefulness of Vivyan is his mental disorder, which made him a great spy, so much so that he doesn’t even realize the people he spied for destroyed his family and his planet. It’s just about war and the awful things people do. And once that it clear, it is hard to accept, because the majority of the story is spent in a close third person around Vivyan, so the reader has come to like him because he seems so peaceful and happy. It is sad to see how he’s been twisted into hurting his own family. His “peacefulness” is a way to forget his past and horrible things he saw when he was five. And it turns out to be a negative thing because that’s how the Terrans control him, thus the irony of the title.

Overall, I give this one 2 out of 5 stars. It is really difficult to follow and only clears up a little bit once you realize the terms and names don’t matter much to the story. However, all the extra fluff is unnecessary, and just adds to the crap in the way of realizing the point. Also, the only Tiptree collection it was published in was Byte Beautiful, so that has to say something.

July 1, 2011 Posted by | Books, Byte Beautiful, Death, Hard Science Fiction, Review, Ten Thousand Light-Years From Home, War | , , , , | 3 Comments

“The Man Who Walked Home” Review

“The Man Who Walked Home” Copyright © 1972 by James Tiptree, Jr.

First published in Ten Thousand Light-Years from Home

Also appears in Byte Beautiful and Her Smoke Rose Up Forever


First of all, let me say that I’m sorry it has taken me so long to get back to this. I was busy with finishing up my final semester of college. But now that that’s done, I’m going to try to do at least one story a week. Anyway, as for the story, this is one of those interesting sci fi stories that deals with time and ideas around time travel and timelines. As I have been watching Doctor Who, especially the current season, I found I was really interested in this story. It plays on the same idea of timelines running in opposite directions, in other words, one person’s past is another’s future and vice versa. However, in the case of this story, it is more like one person’s time traveling experience is the world’s future and his past. I had read this story several years ago and remember being either very confused or not caring for it much. So I don’t know if Doctor Who has changed my opinion, or if perhaps I just didn’t get it then and understand it more now, which leads to me liking it better.

Spoilers. The story starts with a jumbled block of italicized text about falling and how the man needs to get home, needs to walk home. Then the story moves onto a very sparse fast-forward, beginning somewhere in the present to describe a catastrophe that atomizes a factory and changes the global climate and kills a lot of people, etc. The sparse is the jumps in time with descriptions of what happens, such as the movement of new hunter-gatherer groups of people to the crater of the explosion some years later, and the towns that grow up and came down on that site. All this revolves around this yearly reappearance of “the monster,” who, as each year passes, looks more and more like a man falling. This continues until we get to the fifth century after the catastrophe, in which the fast-forward is stopped and characters are actually given names. Here we learn about John Delgano apparently attempted to step for a moment into the future on the same day as the catastrophe, and current scientists believed his return is what caused it. We see him appear briefly again for a few seconds, like every year, and each goes off with his theory. The story ends with a chunk of italics again, this time with more detail and sense, but still with the same first person drive to walk home.

At the beginning of the story, when there were the first indications this was a man appearing for  brief seconds, it reminded me of Watchmen. If anyone had read the comic or seen the movie, then you know how Dr. Manhattan first reforms himself, starting as a neural system, then a skeleton, then muscles, etc. And he keeps reappearing for only a brief flash. While similar, these are not the same. John (also Dr. Manhattan’s real name) Delgano does change with each reappearance, but only minimally because each appearance the further back he goes, from the future he stepped into, is a few seconds into his personal future. However, the questions are never fully answered of what happened in the future to make him return so quickly, nor what happens when he returns to his present to cause the catastrophe. The point of the story is not to answer these questions, but I believe it is to explore the theory of time travel, the same as Doctor Who does, albeit on a somewhat simpler and lighter note.

While the story is somewhat hard to follow, especially as it begins with a block of text rambling, I still found it fascinating, and a much better read the second time around. Therefore, 4 out of 5 stars. It wasn’t perfect, but it was good and worth the read.

June 2, 2011 Posted by | Books, Byte Beautiful, Death, Hard Science Fiction, Her Smoke Rose Up forever, Review, Ten Thousand Light-Years From Home | , , , , , , , , , , | 4 Comments

“Love is the Plan the Plan is Death” Review

“Love is the Plan the Plan is Death” Copyright © 1973 by James Tiptree, Jr.

First published in Warm Worlds and Otherwise

Also appears in Byte Beautiful and Her Smoke Rose Up Forever

Available online here.

This story is an odd one. First, let me state that I really like the title, though I do find it interesting that there is no comma in the middle. However, in Byte Beautiful, the book I just read it in, the title is separated onto two lines, suggesting the pause in the middle. It is something I have always thought interesting, but I don’t have a “so what?” about it. It is just curious. As for the actual story, as I said, it’s an odd one. It is so far from human, that it is almost difficult to read. The story is about alien creatures and “the Plan,” which is their mating ritual, or natural instincts. There is never a mention of humans or any kind of space travel. This is not a science fiction story in the way we are used to viewing them, but could almost be a “fantasy” story in the way it is written. In fact, I would say this one is more in the “speculative fiction” category, which I know many people say is the less geeky term for “science fiction,” but I feel has a different connotation. However, I believe it is as most alien stories are, in that the point is to show something “alien” in order to reflect on what is human.

Spoilers. So this story is narrated in first person, but to a second person “you.” However, the “I” and “you” do have conversations. The whole story is about a mating ritual, “The Plan.” Throughout the story, the narrator, Moggadeet, tries to defy the Plan. He assumes giving in to the Plan means giving in to natural, animalistic urges. There is also a fear of the cold, because it takes away conscious thought, and makes the creatures into vicious brutes. This story is strong with the theme of the fear of atavism, which is the fear of regression, of being more primitive. On this world, the main sentient creatures come in three varieties: The Mother gold, the Male black, and the Female red. A lovely description in the story is, “Gold is the color of Mother-care but black is the color of rage. Attack the black! Black is to kill! Even a Mother, ever her own baby, she cannot defy the Plan. …Red is the color of love” (Byte 75). The babies start out with gold fur, and then shed it to either black or red fur as they get older. The Mother chases away the red ones, but she tries to kill the black ones. Black ones compete to kill each other over red ones. Moggadeet finds a pinkish Red and kills another Black for her. He knows cold makes him senseless, so he takes “his” Red and retreats further to the warmth as winter comes on. There is a strange ritual where he makes silk and binds her, as a spider would, and everyday he unbinds a limb at a time to clean her before rebinding her. She starts as small as him, but once she is the same size, and a scarlet red, he fully unbinds her because he cannot help it, and they go through their mating ritual. The two use affectionate terms with each other with every sentence. Moggadeet says things like “my redling” or “my fat little blushbud” (77). This is part of their “defiance” of the Plan. She tries to defy it more than he does because she asks to be rebound after mating, and he refuses because he wants to look at her. He feels the Plan is to bind her, and since she is larger than him by this point, she attacks and eats him, which is actually the Plan.

The “plot” is hard to describe because the biggest push in the story is the narrative voice, which is such a self-assured first person. As with “With Delicate Mad Hands,” Tiptree does a very good job capturing a voice that is completely unhuman. However, it does make it hard to relate to or understand the characters a bit. The point is something about mating rituals, or fighting instincts. The whole story, what Moggadeet thought of as fighting the Plan was actually exactly the Plan, itself. So, by the end, even though the narrator is quite happy to be eaten and feeding the soon-to-be Mother and her young, there is a sense of futility. There is no circumventing the Plan. And this is the title. The Plan starts as love, but then it becomes death. To have one, you must have the other. There is no escaping it.

Overall, I’ll go with 3 out of 5 stars for this one. It is a good read for the narrative voice, but is just a bit too foreign to comprehend fully upon the first read.

February 26, 2011 Posted by | Books, Byte Beautiful, Death, Hard Science Fiction, Her Smoke Rose Up forever, Review, Warm Worlds and Otherwise | , , , , , , , , | 4 Comments

“Beam Us Home” Review

“Beam Us Home” (Copyright © 1969 by James Tiptree, Jr.)

First published in Ten Thousand Light-Years from Home

Also appears in Byte Beautiful

Available online here.

Well, first of all, this story is available on the Science Fiction Archive, which means you all can read it for free! (It’s a short one, so I recommend it. And if the background or format throws you, copy and paste it into a Word document as I did.) Second, I believe anyone who is a fan of Star Trek, or at least knows the fandom, will appreciate or find amusement in this story. It is not a very comic story (really, none of Tiptree’s stories are comic) but I still found it amusing. The title is not just a reference to Star Trek, but the whole story is about a fan trying to get into space.

In fact, I found this story very similar to “With Delicate Mad Hands.” It seems like the male version of that story, except it is all about the efforts to get into space, and not the events in space. Spoiler time. But this time you have no excuse, because you can read this one for free. I had forgotten how it is to read one of these stories for the first time. For some, they begin and they are so obviously on another planet, or about a completely different species, but this one had a vaguer beginning. It is almost like a game for me, to see how long it takes before I can determine if a story takes place on Earth or elsewhere, if it is the future or “modern” times. I must admit, I was thrown by this one at first, because I did think it would take place in the future, even with the title as a reference to Star Trek. However, half way down the page, the main character, Hobie, is in the hospital, delirious, and in his delirium calls for “Dr. McCoy.” The story is clearly set in the sixties, then. However, although it pulls many things from actual history, this technically is an alternate history story — which are more common in steampunk, but do appear occasionally in science fiction. The changes are things like: Kennedy is shot at but not killed, the Cold War lasts longer, North and South Korea come back together (the least likely change), and the US uses its experiences in Vietnam to charge full scale into Venezuela. This story is very political and war-related, which did go over my head a bit, but I felt I was able to follow.

Amidst all this, Hobie believes he is really from the Starship Enterprise and was sent down into the past on Earth to observe history. To this end, he never relates with people, and tries to use his considerable intelligence to get into the space program. This is the lenses through which he examines the world. He says the world is torn in warfare because society is still young. As he knows, humans will get along much better by the time Kirk is captain of the Enterprise. His plans are thwarted because the space program gets cut when the US charges into Venezuela. So he has to fly planes, and ends up in the middle of biological warfare. The disease he has is nasty and causes horrible bowel movements and gut-puking and such. They’re lovely descriptions. In a delirium, he takes his plane and flies it as high as he can and then wakes up on the operating table in a spaceship that is not the Enterprise. And as it says, “Somebody who was not Bones McCoy was doing something to Hobie’s stomach” (Byte Beautiful 65).

While this story makes a nice psychological story which looks into the mentality of a slightly unstable person, or the ability of a person who cannot connect to society to connect to a fictional story. However, because this is a Tiptree story, there will always be a science fiction justification. Just as in “With Beautiful Mad Hands,” that the voices are really aliens, Hobie really ends up on a spaceship. However, I believe this is a bit vaguer. He could have ended up on a real alien spaceship. Or he could have passed out or died, and this is his final death delusion. Personally, I feel this is what happened even though the story ends with an uplifting note of Hobie yelling, “I’m HOME!” (65).

Overall, this story gets 4 out of 5 stars. I enjoyed it, and I recommend it, but I did not quite like the automatic science fiction justification ending. Though I did like the jabs at Star Trek.

February 19, 2011 Posted by | Books, Byte Beautiful, Death, Hard Science Fiction, Review, Ten Thousand Light-Years From Home | , , , , , , , , , | Leave a comment

   

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