Out of Everywhere

A James Tiptree Jr. Critique

“Mamma Come Home” Review

“Mamma Come Home” © 1968 James Tiptree, Jr.

Appeared in Ten Thousand Light-Years from Home

This one is a near-future alien first-encounter story. It combines a few of Tiptree’s favorite things: female-dominance, impending doom, and sexual power plays. Other than that, I don’t really know what to make of it. The prevalent theme, through all the gender power plays, seems to be that history repeats itself.

As for the story, basically this alien ship comes to earth and it’s full of very human-looking women except for the fact that they’re nearly twice as tall as human men. There’s a lot of technical jibber-jabber that goes back and forth about where they come from and what they want, and etc. Also, the first person narrator works for the CIA, so you can see where Tiptree’s experiences are coming out. (For those of you that don’t know, Alice Sheldon worked for the CIA before she retired and started writing science fiction.) It wasn’t hit-you-over-the-head obvious personal experiences like some of Stephen King’s author characters can be, but there was a lot of technical CIA jargon going on; I suppose to set the atmosphere. It turns out the reason these Cappellans (from a system near Cappella) look so human is that they are the ancestor race of Earth humans. Cappellan men are the same size as Earth men, but Cappellan women go through a second growth-spurt to reach over 8-feet tall. However, long ago, there was a mutation that caused the women to only have the first growth spurt. So they rounded up these mutants and sent them off to distant planets, like Earth. They never bothered to check on Earth until a group was mining ore near the solar system. I like that as an explanation for why “aliens” can look human, because so oftentimes in science fiction they just do. Like in early episodes of Doctor Who. Anyway, that’s just explanation. They point is, they treat their men like sex slaves, and are actually running out of them, so getting a whole new lot of exotic Earth-men slaves would bring in way more money than ore. And to make sure the natives don’t get vicious while they’re shipping the first batch off, they are going to wrap the sun in some kind of exhaust from their ship which will create an ice age on earth so no technological advances can be made. Scary, right? However, the big minds at the CIA come up with a tape that shows a monstrous robot attacking their “home world,” and they use one of their own women who looks very similar to the Cappellans. The monster robot is taken right out of fifties scifi movies, including the damsel who gets her clothes ripped off. Apparently it works, and sends the Cappellans home in a hurry before they can gunk up the sun. So Earth men win the day.

What’s odd about this story isn’t so much that the men “win,” but that the earth wins. Usually those two don’t coincide. Throughout the story, there is repeated mention of history, and showing all the warning signs of the Cappellans plans, such as how the Europeans/Americans came to Africa to steal people and make them into slaves, and when the Europeans first landed on Hawaii, and how harems don’t like new sex slaves (integral to their plan was getting the male Cappellan technician to run their “footage”). I find it interesting that this is a theme in this story, and then, once again, the men win by a bigger show of rape and male dominance. And that is what scares off the Cappellans. The woman who looks very much like a Cappellan was also gang-banged before she was recruited by the CIA as a living weapon. And she had to reenact a “rape” scene for the sake of saving the earth. The raped is once again raped. It’s all circular history.

Don’t get me wrong, while reading it, I was rooting with the main character that they’d come up with a good plan to save the earth. I find it interesting that in many of Tiptree’s stories where women have formed a kind of “female-only” utopia, there is something wrong that doesn’t really allow the society to flourish. Oftentimes, there is no war, but then there is some kind of mutation, or genetic defect like in “The Snows are Melted, the Snows are Gone,” or they find difficulty in reproducing. What does that say about society? Men are more violent, but without that violence, society will become stagnant? I’m not really that knowledgeable about Sociology, so I can’t really tell you without thinking on it more.

However, I will tell you, I found this story intriguing, partly for it’s plot and set-up, and partly for the implications of their “victory.” Over, I give it 4 out of 5 stars.

July 9, 2012 - Posted by | Books, Feminism, Near Future, Review, Society, Soft Science Fiction, Ten Thousand Light-Years From Home | , , , , , , ,

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